Originally published: 12.11.16
“Sometimes Harlem would just do that, you understand. It would open up and reveal itself in a rigorous display of scents, various and commanding, floating its sounds around and above you, where they swirled generously, like autumn colours. In a while, you couldn’t tell what was what, really, or where the sensations came from.”- Kuwana Haulsey, Angel of Harlem
This is one of the most beautifully-written books I’ve ever read. Inspired by true events, it’s the story of Dr. May Edward Chinn, the first black woman physician in Harlem (in the 1920s). While reading the story, it’s natural to be amazed by how tenacious people can be, especially marginalized women. Recently I’ve been thinking a lot about hearing about the first person to do something, to gain some sort of achievement. Even now there are always firsts but it’s not until I read this book that I thought more deeply about what being the first black female doctor in Harlem entailed. Not only is she black, she’s also a woman, so the question that entered my mind was this: How do marginalized people, women in particular, continue on despite society telling them from all angles that they are not supposed to be there?
The story begins with May’s struggles with education, and the barriers she faces from both black and white communities, and from her own father, who doesn’t understand why women need to be educated. He brings up the age-old discussion about how educated women won’t find men:
“Don’t no man want to marry someone got more education than them. Even those college-educated boys don’t want that. Can’t have two men trying to run the same house.”
I think of the genius this woman had, genius that wasn’t nurtured because the world she lived in did not make any room for her. This is a lady who became a doctor and yet was initially in a music program that she was forced out of due to racism:
“The music soothed me. In fact, it flooded me. Music became my joy, my spirit, the bulk and the width of my memories. The notes became integral to me in a breathing way, a way that only my mother’s presence had ever occupied my soul.”
Her foray into music was very important because she came of age during the Harlem Renaissance era. She becomes Paul Robeson’s accompanist and meets a lot of the Harlem Literati. I adore how Haulsey got Zora Neale Hurston’s and Langston Hughes’ voices down so well on paper. It was interesting reading of a doctor who was in the Harlem Literati group, particularly because the Harlem Renaissance is often seen as a very masculine era, and the women in it were, until recently, not acknowledged as often as the men (see Cheryl T. Hall’s Women of the Harlem Renaissance). Hurston was an important voice in this book as a black female member of the Harlem Literati who also had her own struggles in education. Back then any woman who wanted to do something that was deemed “white” or “male” had a struggle on her hands, and tenacity was a must. So with her musical background, being accompanist for Robeson, and hanging out with the Harlem elite, how did she ever become a doctor?
“The only way a Negro woman had ever gotten inside Harlem Hospital was if she’d been shot, stabbed, beaten or poisoned. I think one or two may have been cleaners, but even those jobs were reserved for the Irish and German women who trekked over from Riverside and farther north up in the Bronx. I was the first. The only.”
Discussion between Zora and May: “First of all, I belong everywhere I am. That’s obvious. Otherwise, I wouldn’t be there. I figure it this way–I didn’t get into Barnard by accident. That being the case, I’m not gonna let anybody play me close. Especially not when the bottom line is that all they want to be is me anyway. They wish they had my nerve. They won’t admit it. Not in so many words. But a cat is still a cat, whether it’s got long hair or short.”
One dimension to the story that was helpful to me in understanding human nature was the story of May’s father, a man who had escaped from slavery. If you think about the era this story was taking place in, and realize that in the 1920s the memory of slavery was very fresh, then you realize slavery was the memory her father carried. It can’t have been easy for him to dream, therefore how could he see more for his daughter? His relationship with his daughter reminded me of that of James Baldwin and his stepfather, and how Baldwin was able to understand his step-father a bit better after he considered his life history and the society he was a part of.
My review doesn’t do the book enough justice. This is an amazing book written by an extremely talented writer. I’m so glad to have read it and I hope you will too.
Les Reveries de Rowena I’m a woman moulded and shaped by three continents; my life has always been about border epistemology: navigating between cultures. My hunger for knowledge is insatiable, my dreams are big, but alas, my energy is limited. I’m a dreamer, an exhorter and a comforter. I believe strongly in kindness, love, authenticity and in listening to the voices of marginalized people. Please expect some impassioned posts from time to time! I’m a strong advocate of the arts, especially literature and music. A better world would be one with more art, more people writing and creating, more people dancing. Africa will always have my heart.