Cross-posted from: Slutocracy
Originally published: 04.08.17
It wasn’t so long ago that Game of Thrones was widely criticised for its initial portrayal of female characters as powerless victims. In my view, the disconnect between the books and TV series was the main factor in these concerns: scenes such as Sansa’s (Jeyne Poole in the books) abuse was shot for TV in a way which emphasised a male character’s (Theon Greyjoy’s) reaction; scenes critical of male-on-female violence were cut. Perhaps just as importantly, the books’ presentation of systemic oppression of the poor, disabled and even children- not just women- was not as apparent onscreen.
Obviously, all that changed during Season 6. Now, with Sansa as acting ruler of the North, all the contestants for the Iron Throne are women. (Unless Gendry shows up to stake a claim as Robert Baratheon’s bastard). However, Game of Thrones has gone further than simply having powerful female characters. Intentionally or not, both the show and the books take down classical archetypes of women which have existed in the west for centuries. Read more How Game of Thrones Debunks Archetypes of Women, by @slutocracy
Cross-posted from: Mairi Voice
Originally published: 07.03.17
There is not much in the way of quality programmes on TV, so it was with some delight that I looked forward to last weekend when three of my favourite programmes – Broadchurch, Call the Midwife and Vera were going to be on ABC TV in Australia.
And each of them dealt with male violence against women.
In Broadchurch, Trish, played by Julie Hesmondhalgh is a victim of sexual assault. She portrays the trauma of rape very realistically and sympathetically, forgetting her name and many of the details of her experience.
We see the detail of the forensic investigation, such an intrusion in itself. The detectives, Ellie Miller played by Olivia Colman and Alec Hardy played by David Tennant, respond to Trish with compassion and sensitivity. The whole ambiance of these scenes acknowledges the trauma and pain of sexual assault.
A Series of Unfortunate Events, the celebrated children’s books written by Lemony Snicket and now adapted into a television series on Netflix, was my childhood introduction to satire. (Likewise, in a popular and insightful essay for The Atlantic, Lenika Cruz wrote that A Series of Unfortunate Events introduced her to postmodernism as a child.) In ASOUE, satire is a powerful political tool. ASOUE is simultaneously theatrically absurd and an accurate reflection of the issues it addresses, forcing the audience to consider the absurdity of a social issue without being too far removed from the phenomenon it addresses.
Kids shouldn’t be allowed too much screen time, it’ll rot their brain, everyone knows that. Ok, that makes sense, but have the people who hand out these sage pieces of advice ever met a toddler? Because if they had they would know that turning on any device with a screen within a 1 mile radius of a kid will result in the said kid either wrestling the device from you, demanding you hand it over peacefully or throwing a migraine-inducing tantrum.
Theoretically, the idea is ‘limited screen time for kids’ but practically speaking, all parents eventually realize that limited screen time for kids = limited screen time for parents.
So yes, I end up either not watching tv at all or being subjected to episode after episode of talking ponies and their friendship problems.
As a parent to a 2 year old, that isn’t exactly too surprising. What’s surprising though is that I’m starting to realize I actively avoid non-toddler friendly programming even when I do have the opportunity to watch it. Grown-up tv may have more depth, variety or entertainment value, but kids tv has something better: a make-believe world where nothing bad can ever happen. With the kinds of things happening in the real world these days, I kinda prefer the primary-colored world of preschooler tv.
I don’t know about you, but I don’t need any more ‘realistic’ and ‘gritty’ in my entertainment when the world is too real as is.
Never trust a jellyfish : I am an Anthropologist by training, a housewife by choice, a voracious reader, a lover of fantasy fiction and Sci-Fi, a new mommy, an observer of human nature, a closet optimist and a cupcake enthusiast. I write about all of the above and anything that might strike my fancy
I am an identical twin so I sat down to watch ‘Secret Life of Twins’ on ITV yesterday hoping that it would do something I’ve never seen before on t.v. by portraying the real life of twins, rather than the freak show entertainment we usually get.
But no, it didn’t; so here, for all parents of twins and everybody else in the world for that matter, is my critical response. I think I’ll start with a few requests to future t.v. producers of programmes about twins:
1. Would you stop getting twins to pose together doing exactly the same actions so that we can gasp at how amazing that is – they look AND act the same!
2. Can you stop the really patronising voice-over. Twins are not fluffy bunny rabbits.