Five Classic Spooky Women to (Re)Watch This Halloween, at Her Story Arc

Cross-posted from: Her Story Arc
Originally published: 15.10.17

Halloween is upon us! Now that my apartment is all decorated, it’s time to devote some posts to the spookiest holiday. Luckily, we have plenty of scary ladies to discuss! In this post, we’ll take a look at five classic female characters and their eerie stories.
Read more Five Classic Spooky Women to (Re)Watch This Halloween, at Her Story Arc

How Game of Thrones Debunks Archetypes of Women, by @slutocracy

Cross-posted from: Slutocracy
Originally published: 04.08.17

It wasn’t so long ago that Game of Thrones was widely criticised for its initial portrayal of female characters as powerless victims. In my view, the disconnect between the books and TV series was the main factor in these concerns: scenes such as Sansa’s (Jeyne Poole in the books) abuse was shot for TV in a way which emphasised a male character’s (Theon Greyjoy’s) reaction; scenes critical of male-on-female violence were cut. Perhaps just as importantly, the books’ presentation of systemic oppression of the poor, disabled and even children- not just women- was not as apparent onscreen.

Obviously, all that changed during Season 6. Now, with Sansa as acting ruler of the North, all the contestants for the Iron Throne are women. (Unless Gendry shows up to stake a claim as Robert Baratheon’s bastard). However, Game of Thrones has gone further than simply having powerful female characters. Intentionally or not, both the show and the books take down classical archetypes of women which have existed in the west for centuries.
Read more How Game of Thrones Debunks Archetypes of Women, by @slutocracy

Broadchurch, Call the Midwife, Vera – Male Violence Against Women

Cross-posted from: Mairi Voice
Originally published: 07.03.17

There is not much in the way of quality programmes on TV, so it was with some delight that I looked forward to last weekend when three of my favourite programmes – Broadchurch, Call the Midwife and Vera  were going to be on ABC TV in Australia.

And each of them dealt with male violence against women.

In Broadchurch, Trish, played by Julie Hesmondhalgh is a victim of sexual assault. She portrays the trauma of rape very realistically and sympathetically, forgetting her name and many of the details of her experience.

We see the detail of the forensic investigation, such an intrusion in itself. The detectives, Ellie Miller played by Olivia Colman and Alec Hardy played by David Tennant, respond to Trish with compassion and sensitivity.  The whole ambiance of these scenes acknowledges the trauma and pain of sexual assault.

“The considerable effort they have put into portraying the trauma of sexual assault sensitively and accurately is hugely welcome. Broadchurch, along with the likes of the BBC’s Apple Tree Yard, is helping to make significant strides in dispelling the myths and stereotypes around sexual violence.”  Rowan Miller
Read more Broadchurch, Call the Midwife, Vera – Male Violence Against Women


Cross-posted from: Femineach
Originally published: 29.03.16

I mainlined Spin series 2 on Walter Presents.

*Do not read this if you haven’t watched it.*

It’s a cut and thrust, wheel and deal, dog eat dog, keep your friends close and your enemies closer, French, political drama. There are few things that I like more than that but I had to suspend all of my feminist sensibilities to be able to watch it at all. I promised myself that I wouldn’t “do feminism” on it but here I am regardless. (Feminist analyses are just like the hiccups, really: uncomfortable, concerning, infuriating, and like the divil himself to stop.)

There were several criticisms about the representation of women in Spin series

1. For starters, all of the women there were in some way dependent on their menfolk (Valentine on Pierre*, Appoline on Simon, yer woman who was the candidate on just about everyone, really) and much too capitulating. It was a valid enough criticism but I could get over it for the odd glimmer of fight and rebellion. Juliette, the daughter, was irredeemable but she was young and selfish and we were all that once. 

Fictions of Conflict

Cross-posted from: The Cultural Collage
Originally published: 25.08.14

A recent issue of Private Eye published a spoof newspaper front page purportedly from the start of WWI, drawing parallels between the international conflict of that time and our own. Juxtaposed with this was an article about what a fabulous summer it was, full of ice-creams and donkey rides on the beach. Of course, the joke of this front page is that whilst we are sated with immediate sweet and simple pleasures we can ignore the horror to come. I found it funny and frightening.

I’ve thought of that spoof quite often during the past weeks of my son’s summer holiday, whilst eating ice-creams on the beach (no donkeys any more). Yet … my natural inclination to catastrophise means I am drawn to the news bulletins of the many, terrifying conflicts that have punctuated this summer. They seem to draw together in our collective consciousness to predicate a disaster of greater magnitude. There has been a shadow cast over the bright sunny beach, a shadow of conflicts reaching ever closer.
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Cross-posted from: feimineach
Originally published: 27.09.15

I’m THIS CLOSE to giving up on Frones completely because of its plot-point, titilation rape scenes (and I haven’t even got to all of *that* scene in the latest series). In the linked piece below, SARAH DITUM on the NEWSTATESMAN talks rape, gender disparity, and misogyny. If I’m honest, I think that she’s watched some of the rape scenes closer than I have for there is only so much I can bear. She points out, for example, that in *that* rape scene with Sansa (which I gather lasts for most of the episode), a lot of the focus is on Theon’s reaction, because the programme makers believe that a man’s reaction to rape is more important than a woman’s brutal experience of it.