Originally published: 04.09.14
In 1977, my grandparents took me and my sisters to the top of the Empire State Building. I can remember being annoyed by all the waiting in line just to ride the elevator to the observation floor. We probably spent more time waiting to board that elevator than we spent viewing the view. Still, when our turn came around and after the elevator finally reached the 102nd floor, I burst out of the doors to see what all the fuss was about.
At first, I was too distracted with taking in the view to notice that my grandpa was not with me. When I turned back to search for him, I saw that he had parked himself close to the elevators away from the windows and the view. I called to him, “Grandpa, you gotta come see this.” “No thanks,” he replied “I’m good here.” “Pretty please,” I pleaded. This time he just smiled at me as he shook his head, still refusing to budge. ….
The full text of The Production of Monsters is available here.
The Not Me: In school, my art work was about the construction of gender, conflicting female identities, fairy tales, and cognitive dissonance (images at francescamilliken.com).